![]() I think it’s a fallacy to blame the tool for what people do with it.” (translated from German) ![]() But you can do some pretty cool stuff with it. ![]() Of course, you can make pretty boring music with Ableton Live, and there’s nothing wrong with that if you enjoy it. “That we’re certainly partly to blame for how music is made today and how music sounds… And how music is performed… That’s certainly still fascinating. To put it in the words of Robert Henke (the inventor of Ableton Live): That sounds like a bold statement, and it is. But it also created a studio revolution and changed the music world forever. That’s partly because it was software originally designed for performing music. It’s extremely flexible and there are very few limits. What makes it special is the way the workflow functions, and the sheer endless sound design possibilities. But these days, since the release of the “Scary Monsters and Nice Sprites” EP by Skrillex, and the worldwide dubstep hype that followed, Ableton Live is experiencing an unstoppable rise to mainstream status. Back then, this DAW was more of an insider tip from the techno scene (and I was a little 14-year-old music nerd). I’ve been using Ableton Live for about 12 years now.
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